000 | 01575pam a2200313 i 4500 | ||
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001 | BDZ0026646720 | ||
003 | StDuBDS | ||
005 | 20171003170924.0 | ||
008 | 160119r20161994gw a 000 0 eng d | ||
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_a9783836532075 _qhardback : _c£8.99 |
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040 |
_aStDuBDS _beng _cStDuBDS _dUk _dStDuBDSZ _erda |
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082 | 0 | 4 |
_a709.2 _223 |
100 | 1 | 0 |
_aHendrickson, Janis, _eauthor. _95561 |
240 | 1 | 0 |
_aRoy Lichenstein : Die Ironie des Banalen. _lEnglish |
245 | 1 | 0 |
_aRoy Lichtenstein : _b1923-1997, the irony of the banal / _cJanis Hendrickson. |
250 | _aEnglish edition. | ||
260 |
_aKöln : _bTaschen, _c[2016] |
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300 |
_a95 pages : _billustrations (black and white, and colour) ; _c27 cm. |
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490 | 1 | _aBasic art series 2.0 | |
500 | _aOriginally published: 1994. | ||
500 | _aTranslated from the German. | ||
500 |
_aFormerly CIP. _5Uk |
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520 | 8 | _aIn the late 50s and 60s, American painter Roy Lichtenstein became one of the most important exponents of Pop Art, that movement which transformed products of mass consumption and the entertainment industry into subjects for art. This apotheois of banal, everyday objects simultaneously constituted a criticism of the traditional elitist understanding of art. Almost alone among artists, Lichtenstein pursued the question of how an image becomes a work of art. | |
600 | 1 | 0 |
_aLichtenstein, Roy, _d1923-1997 _xCriticism and interpretation. _916160 |
650 | 0 |
_aPop art. _92163 |
|
700 | 1 | 2 |
_aLichtenstein, Roy, _d1923-1997. _tWorks. _kSelections. _917074 |
830 | 0 |
_aBasic art series 2.0. _916895 |
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942 | _2ddc |