| 000 | 01554nam a2200301 i 4500 | ||
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| 001 | BDZ0026668500 | ||
| 003 | StDuBDS | ||
| 005 | 20171010164445.0 | ||
| 008 | 160119t20162016gw a 000|0|eng|d | ||
| 020 |
_a9783836532716 (hbk.) : _c£8.99 |
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| 040 |
_aStDuBDS _beng _cStDuBDS _dStDuBDSZ _erda |
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| 041 | 1 |
_aeng _hger |
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| 050 | 4 | _aND553.D4 | |
| 072 | 7 |
_aART _2ukslc |
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| 082 | 0 | 4 |
_a759.4 _223 |
| 100 | 1 |
_aGrowe, Bernd, _eauthor. _917110 |
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| 245 | 1 | 0 |
_aEdgar Degas, 1834-1917 : _bon the dance floor of modernity / _cBernd Growe ; English translation, Michael Hulse. |
| 260 |
_aKöln : _bTaschen, _c[2016] |
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| 300 |
_a95 pages : _billustrations (black and white, and colour) ; _c27 cm. |
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| 490 | 1 | _aBasic art series 2.0 | |
| 500 | _aTranslated from the German. | ||
| 520 | 8 | _aIn terms of both theme and technique, the key to understanding the early work of Edgar Degas is classical painting. Although he was eventually associated with the Impressionists and even participated in their joint exhibitions, Degas never adopted a purely Impressionist approach. Degas's work, reflecting an extremely personal and psychological perspective, emphasizes the scenic or concentrates on the detail. Thus, Degas's painting is often discussed with reference to the rise of short-exposure photography. | |
| 600 | 1 | 0 |
_aDegas, Edgar, _d1834-1917 _xCriticism and interpretation. _917111 |
| 650 | 7 |
_aArt and Design. _2ukslc _914025 |
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| 700 | 1 | 2 |
_aDegas, Edgar, _d1834-1917. _tWorks. _kSelections. _917112 |
| 830 | 0 |
_aBasic art series 2.0. _916895 |
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| 942 | _2ddc | ||